Mad Max: Fury Road: Witness Nux

Witness Nux in Mad Max Fury Road - Literate Theology / Kate Rae Davis

SPOILER ALERT – In this post we witness Nux in the most significant 24 hours of his life. It pretty much opens with spoilers. So seriously, go watch the movie already! Then come back. I’ll be here.

Transformation

Nux may be the most drastically transformed character over the course of Mad Max: Fury Road.

We meet him as a happily indoctrinated war boy, but hours later he fully commits himself to the destruction of Immortan Joe’s empire and the overthrowing of the Citadel.

At the start of the film, his body is “battle fodder” (as the Splendid put it) in the service of the empire, but in the end he sacrifices his body in order to destroy the empirical forces.

And he’s the one character the audience sees progress through all the types of hope.

Kamakrazee War Boy

When we first meet Nux, he’s resting and connected to his “blood bag” — death is imminent. And yet, hearing of betrayal, he’s energized, determined to die for the purposes of the empire and to please Immortan Joe. He refuses to stay at the Citadel and “die soft.” “If I’m gonna die, I’m gonna die historic on the Fury Road.

We see him cheer as a pierced war boy shouts “Witness!” and jumps to his death, taking out an enemy vehicle. When a war boy dies for the purposes of the Cult of the V8 (the religion of the empire), there seems to be a tradition of witnessing. Part of what makes the death worthwhile is the memory of the way in which the death occurred, the way it benefited the empire.

When Nux goes on his own kamakrazee drive, dumping gallons of gasoline into the car and riding into the apocalyptic desert storm, he shouts to Max, “Witness me, Blood Bag!” He’s thoroughly committed to the Cult, determined to “ride eternal on the highways of Valhalla” with Immortan Joe.

Nicholas Hoult, the actor who plays Nux, says, “He’s very hyped up and running on this enthusiasm and belief that he’s destined for something great.”

Despair to Hope

That enthusiasm dissipates when he fails to kill Furiosa on behalf of Joe.

Capable finds him at the back of the War Rig, hitting his head in punishment, “He [Joe] saw it all. My own blood bag driving the rig that killed her [Angharad the Splendid].” He laments that he “should be walking with the Immorta.” “I thought I was being spared for something great.”

At that point, he aligns himself with Furiosa and the wives — not because he thinks what they’re doing is right, but because he believes himself to be exiled from the empire and faith of Immortan Joe. His very survival is dependent on getting somewhere livable with the traitors.

It’s not until Max reveals the plan to take the Citadel that Nux fully recovers from his despair, acknowledging the opposite of despair: “Feels like hope.

Eyes to See

When we first meet Nux, he’s in standard war boy makeup: blackened eyes and powder-whitened body.

By the time he claims hope, this layer has begun to fall away. The white powder has been sand-blown off; we can see that he is living flesh. The blackness around his eyes gradually clears; Nux develops clear-sightedness.

Which reminds me of another man dedicated to his religion and transformed through a shift in sight — the Apostle Paul. Saul (as he was then called) was on his own Fury Road in pursuit of traitors. The opening sentence of Acts 9 tells us that Saul was seeking permission to capture those who betrayed the religious establishment of his day. Perhaps Saul even understood himself to be anointed, shiny and chrome, for exactly the task of recovering the traitorous souls.

But Jesus appeared to Saul and struck him blind. Days later, he regains his sight, is renamed Paul, and begins championing the Christian cause. His mission began when he regained true sight.

Nux, like Paul, is an image of conversion — and, also like Paul, a martyr for the coming of the Kingdom.

Witness

They’re on the road back to the Citadel when Immortan Joe is finally defeated. Cheedo shouts back to those in the War Rig: “He’s dead! He’s dead.” For just a moment, the camera lingers in a closeup on Nux’s face. The last scales fall from his eyes.

If Immortan Joe has died, then Nux is not in exile from the true faith of the Cult of the V8. Joe will not carry him into Valhalla. Joe was not an Immorta; perhaps there are no Immorta; perhaps there is no Valhalla. The entirety of that faith is proven false, even foolish, in light of Joe’s death.

Nux is free from his religious and empirical ties, free to choose his commitments, free to act for the interest of goodness for the world rather than simply for the best interests of Joe.

Nux is free to love.

And he loves greatly. Jesus claims that there is no greater love than to lay down one’s life for one’s friends. Earlier, Nux had told Capable that he thought he was being spared for “something great,” and in this moment perhaps he realizes that he was, and that the moment of greatness has arrived, greatness for a cause he could never have imagined the day before.

Nux points to Capable, his beloved, and whispers (not shouts — no, there is no need to shout for glory when the very act contains all the glory of God) “Witness me.”

When Nux finally dies, he dies historic on the Fury Road. He was right from the very beginning. He dies historic — dies in such a way that a barrier is provided to protect his friends and to protect the hope that they will carry to the Citadel.

A day earlier, he was willing to die in hope of personal gain — glory in Valhalla, feasting with the heroes, perhaps being honored as a hero himself. Here, he dies for a hope in this world, hope for an abundance of green things and clean water for many. He dies for a hope that he knows he won’t get to participate in.

I can’t help but think that the entire film is a witness to Nux’s conversion and to his great love.

Saint Nux, who gave his life so that the world might be saved.


This post is part of a series on the theology of Mad Max: Fury Road. Find the rest of the series here.

For discussion: What other saints and martyrs do you notice in Mad Max: Fury Road? What do you think it means to witness to the life and death of another? What might need to die so that you are more free to love greatly? What are you willing to risk your life for, or to die for?

Respond in the comments below!

Correcting Our Spectral Overlap

This sermon was written for St Paul’s Episcopal Church in Seattle, Washington for the Seventh Sunday in Easter. The gospel text was John 17:6-19.

There are glasses available now that correct color blindness. People with green-red color deficiency– the most common form of colorblindness– experience the world in relatively muted tones because of what is called spectral overlap. For these people, the light spectrum that gives us green and the light spectrum that gives us red overlap, and as a result green and red overlap — have you ever blended red and green watercolors? It turns into a kind of dull, dusty gray-brown. For color blind people, to varying extents…that’s their world.

So the problem here, for the person with color deficiency, is not with the eye — the eye and optic neuron is essentially healthy, the systems function normally. The problem is the way the light is received.

venice

So these glasses — these entirely normal-looking sunglasses — the lenses essentially put a space between the spectrums, they pull apart the overlapping spectrums, helping the eye to see that green and red are distinct colors. And by sorting out red and green as distinct colors, that dusty grayness is removed; reds are more red, greens are more green, blues are more blue — the entire color spectrum opens up once these two spectrums are seen as distinct. All by putting on a pair of glasses.

A close friend of mine, a woman who was like a mother to me, had a gift of turning a gray world into a colorful world. She was able to pull apart the aspects of a given situation that were the result of the world’s powers being at work–a result of hateful beliefs and attitudes, the ways systems privilege certain people, the ways despair and depression take hold, creepingly. She had the insight to be able to sort out those powers of the world’s system in my life from what God was doing in my life.

Through our conversations, it is as though she gifted me with color-correcting glasses. When the world feels too gray, I hear her voice and I can adopt her frames to sort out the world’s narratives and God’s narrative, both at play in my life.

I imagine the disciples felt as I feel when I heard that this friend was dying, when Jesus started speaking openly, bluntly, about his impending death. I imagine their fear of having to navigate the world’s ways and see God’s action in the midst of their situations. Their disorientation, like we’re losing a navigational point that told us who we are. I imagine them wondering: Who will name the world’s powers for what they are? Who will help us see God’s movements? Does the death of Jesus mean that the world’s powers will win out in the end? And under all of this, tied to all of these questions, is the Big Question: how can the world continue on without his love to hold it all together?

It is into this situation, this fear, that Jesus prays. “Father, the world’s systems and powers, the dominant culture of the world has hated my followers because they do not fit in the ways of the world, just as I do not fit in the ways of the world.” He reminds us that he has given us God’s care and protection as he pursue God’s truth.

He continues, “Sanctify them in your truth.” Sanctify means “to separate for purposes of God,” separate the purposes of God from the powers of the world, of the dominant culture. Our sight has the tendency to conflate the two spectrums, the world’s ways and God’s ways, Jesus reminds us that we are to be sanctified, to be able to see the two ways at work, as separate things. Jesus reminds us that he has given us new eyes to see. He reminds us that he has been the space that separates the spectrum of the world’s ways and the spectrum of God’s ways, he has pulled apart the world’s images of success/the world’s systems and ways —- from God’s movements and workings. Jesus prays that we remain able to see them, that we be sanctified.

And he continues: “Sanctify them … as you have sent me into the world, so I have sent them into the world.”

Jesus sends us, as he was sent. He sends us in the same manner and for the same purposes that he was sent. Our work in the world must look to Christ as the model. We read, earlier in this same gospel, about God’s sending Jesus in the oft-quoted John 3:16, “For God so loved the world that he gave his only Son.” And the next verse continues the thought: “God did not send the Son into the world to condemn the world, but in order that the world might be saved.”

Jesus was sent into the world because of love, for the purpose of loving. In this prayer, Jesus sends his followers as he was sent — because of love, for the purpose of love. Love alone is the church’s reason for being in the world. When Jesus dies and the disciples feel so uprooted that they wonder, how can the world continue to exist without his love?, the answer is: we put on Jesus’s sight to correct our sight toward love. We adopt the way of seeing the world’s ways and God’s ways compassionately in a way that leads us to love.

He sends us as he was sent — not to condemn the world, but to lovingly interact with it, in order that the world’s ways might be saved.

A thai poet wrote that “paradise is not another world. Paradise is the ruins of this world gazed upon compassionately.” St Teresa of Avila wrote that “Christ has no body now on earth but yours. Yours are the eyes through which Christ’s compassion is to look out to the world; yours are the hands with which God is to bless people now.” Yours are the eyes through which Christ’s compassion looks out to the ruins of this world and sees it as paradise.

I saw a video of a man putting on these glasses for the first time. It’s his birthday; the glasses are his birthday gift, wrapped in bright red tissue paper. His wife has put out a container holding variety of colorful flowers in the front yard; she’s narrating from behind the camera. Their kids are in bright winter coats. Other than that, it’s really quite a bleak day. The sky is entirely overcast; they live in an apartment park filled with gray-brown townhomes. There is no grass; they’re stand on light gray sidewalk between dark gray pavement and their own gray-brown home.

The man, head-to-toe black denim, hair slicked back — he’s remarkably nonchalant, like he doesn’t want to appear uncool for a minute. Or maybe like he doesn’t want to hope too much. He unwraps the gift, pushing the tissue paper into the hands of his school-age daughter. Opens the box. Coolly, skeptically, he examines the seemingly ordinary shades.

When he finally puts them on, the moment that follows is …. Well, the kids are kind of oblivious that anything significant is happening. They’re playing with the tissue paper, running around.

But their father, the man in the glasses — the moment he puts them on, he stops talking. He stops smiling. He doesn’t know which direction to look. His wife says to him: look at your kids eyes. He glances down at his daughter in front of him, stares for just a second, and turns away, needs to go sit down.

And a minute later, composed, he gets up, smooths out his hair, paces, and then he comes to the flowers his wife set out, and this man just crumples in the parking lot. His new sight fills him with such love for the world — the same world that he had nonchalantly moved through before, but now rightly perceived — he’s filled with such love that he is overwhelmed and seems to become, at least for a few moments, an entirely different man. His tough exterior is undone as he weeps at the beauty of a gray day in a gray parking lot surrounded by gray homes.

The world hasn’t changed, but his perception of it has been corrected; the spectrums with which he sees have been pulled apart, and he can see the world as it is, and he is changed.

Jesus sends us into the world — not to condemn it, but to lovingly interact with it in order to save it. He sends us to see it with eyes so new and grateful that the color of another’s eyes brings tears to our own, that the brightness of a flower against gray sky brings us to our knees.

(For those interested, here is more information on the glasses, how they work; and the video of the man’s first time with the glasses.)