Remixing Symbols: Rosemary and Holy Water, Remembrance and Baptism

Remixing Symbols: Rosemary and Holy Water, Remembrance and Baptism - read on how these baptism symbol s are remixed in ways that deepen meaning - KateRaeDavis.com

In the Episcopal Church, there are certain days on which the priest takes branches cut from the church garden, dips them in holy water, and shakes the branches over the congregations’ heads. It’s a baptism symbol that holds a reminder of our baptisms, a reminder of our identity as the people of God, a reminder that we participate in death and resurrection.

Because my church is in Seattle, our garden holds a rosemary plant. Here, rosemary grows like a beloved native weed. The plant in our garden, bordering the parking lot, is always overgrown, so its branches are always the first to be cut when it’s time to remember our baptism.

Remembering our baptism carries a particular scent: equal parts incense and rosemary.

As a result of this, whenever I cook with rosemary, I find myself remembering my baptism.

My community hasn’t assigned any particular meaning-making to this happenstance connection between rosemary and baptism. If there is any intent in its use, it is to convey the connection between the church and our local place. Or, perhaps, a symbol of provision and abundance.

So I researched the meaning of rosemary — most plants have a symbolic connotation, even if we no longer live by what they once meant.

Rosemary is a symbol of remembrance for the dead. Mourners used to throw it into graves, the way we might today throw a rose onto the casket. (Roses, of course, are themselves symbols: red for love, yellow for friendship, white for youth.) In Shakespeare’s Hamlet, Ophelia says “There’s rosemary, that’s for remembrance.”

The branches dipped in holy water is one of those moments where symbols align and intermingle and remix without intention on behalf of the artist. I must believe that the Spirit is at work in such remixing.

Because what the practice does — without any need of human intention (though it does require attention) — is it connects death and resurrection. The priest takes rosemary — a symbol of grief, mourning, and death — and uses it as the means to sprinkle the assembly with baptismal water — a symbol of joy, new life, resurrection.

Using rosemary to sprinkle holy water on the congregation connects the remembrance of my baptism more solidly to the remembrance that, in some way, the person I used to be has died.

I remember her. Remember who she was, how she behaved, how it felt to be her. Sometimes, I even miss her. I miss the height and depth at which she experienced emotion, the high degree of passion in her relationships, her quit wit and cutting tongue. She moved through life with little discernment, often finding whichever option meant less pain (bruises were so much easier to tolerate than loneliness). In many ways, it was easier and more fun to be her. Rosemary, that’s for remembrance.

And that memory, the memory of who she was and what my life as her was like, makes the droplets of cool water that much more powerful. The water connects me with my baptismal identity, my post-baptism reality. The water reminds me that I not only died but rose again with Christ.

The impact of remembering that new identity is much more powerful when remembered in contrast to what died.

As I’ve grown in my baptismal identity, I’ve gained a capacity to understand my emotions and care for myself in ways that are less destructive. I’ve developed stable and loving relationships that I can actually experience as loving. I’ve learned to tolerate pain in the present because of my hope for the future.

And then I reclaim my baptismal identity. It may have been easier and more fun to be the person I used to be. But the person I’ve become is more loving, more joyful, more compassionate.

And I think I’d rather be as someone who loves joyfully than as someone who has fun.


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Living in the Tomb

Sermon: Living in the Tomb - post on Literate Theology / Kate Rae Davis

Reflections on John 11:32-44, delivered at Our Lady of Guadalupe Episcopal Church.

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I would have stayed in the tomb.

In the Middle East, it’s hot. Which means decomposition sets in quick, and the stench of that rotting process is heavy in the air. So if I had been four days in a tomb, in the heat — essentially the tomb becomes a warmed oven — I think I would have been too ashamed to come out.

And on top of that, there’s the problem of the bindings. The text describes how “his hands and feet were bound with strips of cloth, and his face wrapped in a cloth.” In the burial customs of the time, strips of cloth were tightly wound around the body — they bound the jaw closed, the feet together, and the hands to the side of the body. Which means that even after the shock of finding himself alive in his tomb, Lazarus is faced with the problem of exiting the tomb. He cannot walk with his feet bound together. He cannot even crawl with his hands tied to his side. The text doesn’t describe what must have been Lazarus’s struggling exit from the tomb; we can only imagine the movements of rolling and shuffling and squirming that must have taken him from the darkness to the light.

I would have stayed in the tomb. It would be less painful to stay dead than to suffer the humiliation of exiting on my belly and the shame of exposing the community to the stench of my death.

And that’s not to mention life after the tomb. In a culture where the dead are considered unclean, untouchable — where does an undead person go? what does he do? who will be near him, eat with him, care for him?

In commanding “Lazarus, come out!” — rather than going in, gathering up Lazarus in his arms, and carrying him out like a fireman making a rescue — in commanding Lazarus to come out, Jesus is asking a lot of his beloved friend. Jesus asks for Lazarus’s struggle and his exposure. Jesus asks for him to risk living with social stigma. Jesus asks for his full participation.

I would have stayed in the tomb.

Unless, perhaps, it becomes too painful to stay in the tomb any longer. I think we all reach this point, in different ways, at various moments of our life.

Perhaps it’s physical — our body is in pain or we suffer an addiction, and we know we can no longer keep living the way we have been, that our lifestyle habits have become a kind of tomb that we must leave in order to have real life.

Perhaps it’s relational — something about the person I become when I’m with this other person has turned my home into a kind of tomb, has bound me up in some way that I no longer feel like I have agency, and I need to crawl to someone who can unbind me.

Perhaps it’s societal, living in a system that bends toward injustice and it even though it will be really difficult to get out, staying in the tomb, staying with the way things are, is just no longer an option.

Jesus did not prevent his friend from dying. Mary and the Jews have a point: If Jesus had been there, Lazarus would not have died. So it seems that Jesus did not come to rescue us from going through difficulties.

And on the other side of death, at the tomb, at this scene: Jesus does does not rush into the tomb to deliver Lazarus out like a fireman rushing into a building burning. Rather, Jesus invites Lazarus to participate in his own salvation. Having done what he could do in raising Lazarus to life, Jesus expects Lazarus to do what he could do by making his way out of the tomb.

It’s when each of us is in a place of death — of pain and suffering and stench and shame — it’s when we feel trapped and bound and unable to act — it’s in death that Jesus offers the possibility of new life. Jesus calls to us. He calls to us: Come out! He invites us: Come out! He offers us hope that there is new life waiting to be had. Come out!

Jesus looks at something dead and see it as full of potential for life. Jesus looks at a corpse in a dark tomb and invites a living body into the light. Jesus looks at his beloved one and shows that death does not have to be the end of the story.

Having done what he can do in inviting us to new life, Jesus expects us to do what we can do to in our own movement and struggle out of our tombs.

Come out! Come out!

Lazarus, Come Forth by Salvador Dali (1964)
Lazarus, Come Forth by Salvador Dali (1964)