Mad Max: Fury Road: Witness Nux

Witness Nux in Mad Max Fury Road - Literate Theology / Kate Rae Davis

SPOILER ALERT – In this post we witness Nux in the most significant 24 hours of his life. It pretty much opens with spoilers. So seriously, go watch the movie already! Then come back. I’ll be here.

Transformation

Nux may be the most drastically transformed character over the course of Mad Max: Fury Road.

We meet him as a happily indoctrinated war boy, but hours later he fully commits himself to the destruction of Immortan Joe’s empire and the overthrowing of the Citadel.

At the start of the film, his body is “battle fodder” (as the Splendid put it) in the service of the empire, but in the end he sacrifices his body in order to destroy the empirical forces.

And he’s the one character the audience sees progress through all the types of hope.

Kamakrazee War Boy

When we first meet Nux, he’s resting and connected to his “blood bag” — death is imminent. And yet, hearing of betrayal, he’s energized, determined to die for the purposes of the empire and to please Immortan Joe. He refuses to stay at the Citadel and “die soft.” “If I’m gonna die, I’m gonna die historic on the Fury Road.”

We see him cheer as a pierced war boy shouts “Witness!” and jumps to his death, taking out an enemy vehicle. When a war boy dies for the purposes of the Cult of the V8 (the religion of the empire), there seems to be a tradition of witnessing. Part of what makes the death worthwhile is the memory of the way in which the death occurred, the way it benefited the empire.

When Nux goes on his own kamakrazee drive, dumping gallons of gasoline into the car and riding into the apocalyptic desert storm, he shouts to Max, “Witness me, Blood Bag!” He’s thoroughly committed to the Cult, determined to “ride eternal on the highways of Valhalla” with Immortan Joe.

Nicholas Hoult, the actor who plays Nux, says, “He’s very hyped up and running on this enthusiasm and belief that he’s destined for something great.”

Despair to Hope

That enthusiasm dissipates when he fails to kill Furiosa on behalf of Joe.

Capable finds him at the back of the War Rig, hitting his head in punishment, “He [Joe] saw it all. My own blood bag driving the rig that killed her [Angharad the Splendid].” He laments that he “should be walking with the Immorta.” “I thought I was being spared for something great.”

At that point, he aligns himself with Furiosa and the wives — not because he thinks what they’re doing is right, but because he believes himself to be exiled from the empire and faith of Immortan Joe. His very survival is dependent on getting somewhere livable with the traitors.

It’s not until Max reveals the plan to take the Citadel that Nux fully recovers from his despair, acknowledging the opposite of despair: “Feels like hope.”

Eyes to See

When we first meet Nux, he’s in standard war boy makeup: blackened eyes and powder-whitened body.

By the time he claims hope, this layer has begun to fall away. The white powder has been sand-blown off; we can see that he is living flesh. The blackness around his eyes gradually clears; Nux develops clear-sightedness.

Which reminds me of another man dedicated to his religion and transformed through a shift in sight — the Apostle Paul. Saul (as he was then called) was on his own Fury Road in pursuit of traitors. The opening sentence of Acts 9 tells us that Saul was seeking permission to capture those who betrayed the religious establishment of his day. Perhaps Saul even understood himself to be anointed, shiny and chrome, for exactly the task of recovering the traitorous souls.

But Jesus appeared to Saul and struck him blind. Days later, he regains his sight, is renamed Paul, and begins championing the Christian cause. His mission began when he regained true sight.

Nux, like Paul, is an image of conversion — and, also like Paul, a martyr for the coming of the Kingdom.

Witness

They’re on the road back to the Citadel when Immortan Joe is finally defeated. Cheedo shouts back to those in the War Rig: “He’s dead! He’s dead.” For just a moment, the camera lingers in a closeup on Nux’s face. The last scales fall from his eyes.

If Immortan Joe has died, then Nux is not in exile from the true faith of the Cult of the V8. Joe will not carry him into Valhalla. Joe was not an Immorta; perhaps there are no Immorta; perhaps there is no Valhalla. The entirety of that faith is proven false, even foolish, in light of Joe’s death.

Nux is free from his religious and empirical ties, free to choose his commitments, free to act for the interest of goodness for the world rather than simply for the best interests of Joe.

Nux is free to love.

And he loves greatly. Jesus claims that there is no greater love than to lay down one’s life for one’s friends. Earlier, Nux had told Capable that he thought he was being spared for “something great,” and in this moment perhaps he realizes that he was, and that the moment of greatness has arrived, greatness for a cause he could never have imagined the day before.

Nux points to Capable, his beloved, and whispers (not shouts — no, there is no need to shout for glory when the very act contains all the glory of God) “Witness me.”

When Nux finally dies, he dies historic on the Fury Road. He was right from the very beginning. He dies historic — dies in such a way that a barrier is provided to protect his friends and to protect the hope that they will carry to the Citadel.

A day earlier, he was willing to die in hope of personal gain — glory in Valhalla, feasting with the heroes, perhaps being honored as a hero himself. Here, he dies for a hope in this world, hope for an abundance of green things and clean water for many. He dies for a hope that he knows he won’t get to participate in.

I can’t help but think that the entire film is a witness to Nux’s conversion and to his great love.

Saint Nux, who gave his life so that the world might be saved.

This post is part of a series on the theology of Mad Max: Fury Road. Find the rest of the series here.

For discussion: What other saints and martyrs do you notice in Mad Max: Fury Road? What do you think it means to witness to the life and death of another? What might need to die so that you are more free to love greatly? What are you willing to risk your life for, or to die for?

Respond in the comments below!

January 19, 2016March 24, 2016

Drinking from the Font

Sermon: Holy Hospitality, on the Miracle of Water into Wine at the Wedding at Cana - follow blog Literate Theology / Kate Rae Davis

Reflections on John 2:1-11, delivered at St Paul’s Episcopal Church, Seattle.

“You give your people drink from the river of your delights.”

Imagine you’re on your way into church and feeling just a little parched — would you pause for a sip of water … from the baptismal font?

Let’s make it a little more appealing. Let’s say, one day, that the font was emptied of its usual water and filled with — whatever brings you joy: apple juice, Diet Coke with Lime, pinot noir, whatever — then would you drink from it?

This may seem like a strange hypothetical with which to begin a sermon, but today’s gospel is a strange miracle that begins Christ’s ministry. At a wedding, Jesus takes water, the sustaining elixir of life, and transforms that water into wine, a substance associated with rare celebrations of joy; the psalmist notes that wine makes glad the heart. Weddings were one of the rare times that people would have the opportunity to drink wine, where it is offered as a display of the new couple’s hospitality, and this must have been some wedding, because they ran out early. Jesus, being made aware of the problem, tells the servants to fill the nearby jars with water, which becomes wine — that the steward, not knowing where the wine had come from, says is good, and the celebration continues on.

What a strange miracle. Strange, certainly, because the creator of all that is, the creator of oceans and rain and grapes, the divine force behind growth and fermentation and metabolization, makes his first ever in-human-form display of power … in the corner of a wedding … where the only people who notice are the disciples who were already following him, and a small number of servants … and all for the seemingly insignificant cause of a party’s continuation.

Not only is this miracle strange, but there’s something strange in the narration of the miracle, because John makes sure the audience knows this detail: that nearby stood six stone water jars, the kind used for Jewish purification rites, the kind used for ceremonial washing.

Now, when the text says “ceremonial washing” here — this is not simply a matter of washing one’s hands before getting in line for the buffet. Purification, for the Jewish people, for the guests at this wedding, was a highly spiritual matter, tied to holiness and sanctity. So while the stone jars are acceptable vessels for holy water and wine is acceptable at a celebration, you just wouldn’t put wine in the jars meant for ceremonial washing. It would be impure, unholy. Sacrilegious.

So when Jesus tells the servants to draw from the jars and bring it to the steward — I have to imagine that in their minds, it’s still water. Because you just wouldn’t give a man wine from a stone jar. I imagine their shock … when the steward puts it in his mouth, “not knowing where it had come from” and names it the best wine of the celebration.

It is shocking that Jesus seems to prank the steward into drinking unclean wine — worse, pranks him into enjoying unclean wine. Equally unnerving is the realization that he seems to violate his community’s ritual norms and customs on purpose. At a celebration of this size, wine would be stored in long clay jars with handles for easy pouring. Presumably, since there had been wine, there would have been some empty containers around, ready to be refilled.

But Jesus chooses the container for ceremonial washing, large jars with thick stone walls — actually, picture a slightly taller version of our baptismal font, remove the polish, and you’re pretty much there. Jesus chooses these vessels, these jars for ceremonial washing, knowing that the steward wouldn’t drink it if he knew where it came from.

We don’t hear about the rest of the party, but because the jars were basically immovable, the servants wouldn’t be able to circle with them to fill people’s cups. I imagine the guests, dressed in their best, faithful observers their religious customs, their cups running low, coming in pairs and small groups in search of more wine only to find themselves standing before the ceremonial washing jars … debating … would they accept this hospitality, would they imbibe of the wine that makes glad the heart, would they continue their joyful celebration —- or would they maintain their sanctity and purity?

Would you drink wine from a font in order to participate in celebration?

Because there is always freedom. It’s a choice. Jesus provides the wine in the ceremonial vessel, but we are always free to not drink it, we are free to prioritize our sanctity above it. But, at least as seems to be implied by the symbols of this miracle — ceremonial jar as sanctity and holiness, the wine inside as hospitality that leads to joy– to prioritize sanctity requires the rejection of the hospitality and subsequent joy that are being offered.

On the other hand, to drink the wine from the ceremonial container does not abolish sanctity. Jesus does not smash the ceremonial jars, does not condemn their use. Rather, he combines their symbolism with the symbol of wine in an unexpected way. You might say: Jesus does not abolish the law by breaking the jars, but rather fulfills the law — by filing the sacred with the joyful, by connecting holiness and hospitality.

By serving good wine from the stone jars for ceremonial washing, Jesus mixes symbols in a way that shows how the separation of the holy vessel from the liquid of celebration tempts us to privilege the spiritual, the clean, the holy — over and against the worldly, the bodily, the everyday joys that make glad the heart. By choosing to serve good wine from ceremonial jars, Jesus seems to suggest that it is not separation that is sacred, but what is sacred is participation in hospitality. What is holy is accepting hospitality. It seems to be right where our sensibilities and values want us to maintain separation that Jesus’s values invite us to hospitality as part of a larger celebration. We might even interpret the mixing of these symbols to mean that hospitality is holy.

Some decades ago, this parish chose to extend holy hospitality when others chose sanctity. The city was in the midst of the HIV/AIDS crisis, and many churches refused to bury those who had died from the disease, choosing the safety of sanctity above such potentially risky hospitality. By offering services to those in need, this parish participated in Christ’s holy hospitality.

We continue to participate in hospitality when we share food and drink each Sunday at coffee hour and each month at the Fatted Calf Cafe, carrying food and conversations across social and economic lines, across generational and political barriers, across football team loyalties.

And momentarily, we will be invited to share bread and wine with one another. While there is no one way to understand the Eucharist, today we might contemplate what it means to participate in sharing the cup, to participate in the holy hospitality to which Christ invites us.

Here, we are all guests at the celebration. Jesus has provided the bread as well as the wine. And it is good. Will you drink?

Sermon: Holy Hospitality, on the Miracle of Water into Wine - Literate Theology / Kate Rae Davis — The Baptismal Font at St Paul’s, by Julie Speidel: http://juliespeidel.com/public-installations/st-pauls-episcopal-church/

Questions: What hospitality is Christ offering that the Church not participating in? Where have we placed sanctity above hospitality — as a community or individually?

November 5, 2015January 9, 2016

Living in the Tomb

Reflections on John 11:32-44, delivered at Our Lady of Guadalupe Episcopal Church.

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I would have stayed in the tomb.

In the Middle East, it’s hot. Which means decomposition sets in quick, and the stench of that rotting process is heavy in the air. So if I had been four days in a tomb, in the heat — essentially the tomb becomes a warmed oven — I think I would have been too ashamed to come out.

And on top of that, there’s the problem of the bindings. The text describes how “his hands and feet were bound with strips of cloth, and his face wrapped in a cloth.” In the burial customs of the time, strips of cloth were tightly wound around the body — they bound the jaw closed, the feet together, and the hands to the side of the body. Which means that even after the shock of finding himself alive in his tomb, Lazarus is faced with the problem of exiting the tomb. He cannot walk with his feet bound together. He cannot even crawl with his hands tied to his side. The text doesn’t describe what must have been Lazarus’s struggling exit from the tomb; we can only imagine the movements of rolling and shuffling and squirming that must have taken him from the darkness to the light.

I would have stayed in the tomb. It would be less painful to stay dead than to suffer the humiliation of exiting on my belly and the shame of exposing the community to the stench of my death.

And that’s not to mention life after the tomb. In a culture where the dead are considered unclean, untouchable — where does an undead person go? what does he do? who will be near him, eat with him, care for him?

In commanding “Lazarus, come out!” — rather than going in, gathering up Lazarus in his arms, and carrying him out like a fireman making a rescue — in commanding Lazarus to come out, Jesus is asking a lot of his beloved friend. Jesus asks for Lazarus’s struggle and his exposure. Jesus asks for him to risk living with social stigma. Jesus asks for his full participation.

I would have stayed in the tomb.

Unless, perhaps, it becomes too painful to stay in the tomb any longer. I think we all reach this point, in different ways, at various moments of our life.

Perhaps it’s physical — our body is in pain or we suffer an addiction, and we know we can no longer keep living the way we have been, that our lifestyle habits have become a kind of tomb that we must leave in order to have real life.

Perhaps it’s relational — something about the person I become when I’m with this other person has turned my home into a kind of tomb, has bound me up in some way that I no longer feel like I have agency, and I need to crawl to someone who can unbind me.

Perhaps it’s societal, living in a system that bends toward injustice and it even though it will be really difficult to get out, staying in the tomb, staying with the way things are, is just no longer an option.

Jesus did not prevent his friend from dying. Mary and the Jews have a point: If Jesus had been there, Lazarus would not have died. So it seems that Jesus did not come to rescue us from going through difficulties.

And on the other side of death, at the tomb, at this scene: Jesus does does not rush into the tomb to deliver Lazarus out like a fireman rushing into a building burning. Rather, Jesus invites Lazarus to participate in his own salvation. Having done what he could do in raising Lazarus to life, Jesus expects Lazarus to do what he could do by making his way out of the tomb.

It’s when each of us is in a place of death — of pain and suffering and stench and shame — it’s when we feel trapped and bound and unable to act — it’s in death that Jesus offers the possibility of new life. Jesus calls to us. He calls to us: Come out! He invites us: Come out! He offers us hope that there is new life waiting to be had. Come out!

Jesus looks at something dead and see it as full of potential for life. Jesus looks at a corpse in a dark tomb and invites a living body into the light. Jesus looks at his beloved one and shows that death does not have to be the end of the story.

Having done what he can do in inviting us to new life, Jesus expects us to do what we can do to in our own movement and struggle out of our tombs.

Come out! Come out!

Lazarus, Come Forth by Salvador Dali (1964)

May 18, 2015

Correcting Our Spectral Overlap

This sermon was written for St Paul’s Episcopal Church in Seattle, Washington for the Seventh Sunday in Easter. The gospel text was John 17:6-19.

There are glasses available now that correct color blindness. People with green-red color deficiency– the most common form of colorblindness– experience the world in relatively muted tones because of what is called spectral overlap. For these people, the light spectrum that gives us green and the light spectrum that gives us red overlap, and as a result green and red overlap — have you ever blended red and green watercolors? It turns into a kind of dull, dusty gray-brown. For color blind people, to varying extents…that’s their world.

So the problem here, for the person with color deficiency, is not with the eye — the eye and optic neuron is essentially healthy, the systems function normally. The problem is the way the light is received.

So these glasses — these entirely normal-looking sunglasses — the lenses essentially put a space between the spectrums, they pull apart the overlapping spectrums, helping the eye to see that green and red are distinct colors. And by sorting out red and green as distinct colors, that dusty grayness is removed; reds are more red, greens are more green, blues are more blue — the entire color spectrum opens up once these two spectrums are seen as distinct. All by putting on a pair of glasses.

A close friend of mine, a woman who was like a mother to me, had a gift of turning a gray world into a colorful world. She was able to pull apart the aspects of a given situation that were the result of the world’s powers being at work–a result of hateful beliefs and attitudes, the ways systems privilege certain people, the ways despair and depression take hold, creepingly. She had the insight to be able to sort out those powers of the world’s system in my life from what God was doing in my life.

Through our conversations, it is as though she gifted me with color-correcting glasses. When the world feels too gray, I hear her voice and I can adopt her frames to sort out the world’s narratives and God’s narrative, both at play in my life.

I imagine the disciples felt as I feel when I heard that this friend was dying, when Jesus started speaking openly, bluntly, about his impending death. I imagine their fear of having to navigate the world’s ways and see God’s action in the midst of their situations. Their disorientation, like we’re losing a navigational point that told us who we are. I imagine them wondering: Who will name the world’s powers for what they are? Who will help us see God’s movements? Does the death of Jesus mean that the world’s powers will win out in the end? And under all of this, tied to all of these questions, is the Big Question: how can the world continue on without his love to hold it all together?

It is into this situation, this fear, that Jesus prays. “Father, the world’s systems and powers, the dominant culture of the world has hated my followers because they do not fit in the ways of the world, just as I do not fit in the ways of the world.” He reminds us that he has given us God’s care and protection as he pursue God’s truth.

He continues, “Sanctify them in your truth.” Sanctify means “to separate for purposes of God,” separate the purposes of God from the powers of the world, of the dominant culture. Our sight has the tendency to conflate the two spectrums, the world’s ways and God’s ways, Jesus reminds us that we are to be sanctified, to be able to see the two ways at work, as separate things. Jesus reminds us that he has given us new eyes to see. He reminds us that he has been the space that separates the spectrum of the world’s ways and the spectrum of God’s ways, he has pulled apart the world’s images of success/the world’s systems and ways —- from God’s movements and workings. Jesus prays that we remain able to see them, that we be sanctified.

And he continues: “Sanctify them … as you have sent me into the world, so I have sent them into the world.”

Jesus sends us, as he was sent. He sends us in the same manner and for the same purposes that he was sent. Our work in the world must look to Christ as the model. We read, earlier in this same gospel, about God’s sending Jesus in the oft-quoted John 3:16, “For God so loved the world that he gave his only Son.” And the next verse continues the thought: “God did not send the Son into the world to condemn the world, but in order that the world might be saved.”

Jesus was sent into the world because of love, for the purpose of loving. In this prayer, Jesus sends his followers as he was sent — because of love, for the purpose of love. Love alone is the church’s reason for being in the world. When Jesus dies and the disciples feel so uprooted that they wonder, how can the world continue to exist without his love?, the answer is: we put on Jesus’s sight to correct our sight toward love. We adopt the way of seeing the world’s ways and God’s ways compassionately in a way that leads us to love.

He sends us as he was sent — not to condemn the world, but to lovingly interact with it, in order that the world’s ways might be saved.

A thai poet wrote that “paradise is not another world. Paradise is the ruins of this world gazed upon compassionately.” St Teresa of Avila wrote that “Christ has no body now on earth but yours. Yours are the eyes through which Christ’s compassion is to look out to the world; yours are the hands with which God is to bless people now.” Yours are the eyes through which Christ’s compassion looks out to the ruins of this world and sees it as paradise.

I saw a video of a man putting on these glasses for the first time. It’s his birthday; the glasses are his birthday gift, wrapped in bright red tissue paper. His wife has put out a container holding variety of colorful flowers in the front yard; she’s narrating from behind the camera. Their kids are in bright winter coats. Other than that, it’s really quite a bleak day. The sky is entirely overcast; they live in an apartment park filled with gray-brown townhomes. There is no grass; they’re stand on light gray sidewalk between dark gray pavement and their own gray-brown home.

The man, head-to-toe black denim, hair slicked back — he’s remarkably nonchalant, like he doesn’t want to appear uncool for a minute. Or maybe like he doesn’t want to hope too much. He unwraps the gift, pushing the tissue paper into the hands of his school-age daughter. Opens the box. Coolly, skeptically, he examines the seemingly ordinary shades.

When he finally puts them on, the moment that follows is …. Well, the kids are kind of oblivious that anything significant is happening. They’re playing with the tissue paper, running around.

But their father, the man in the glasses — the moment he puts them on, he stops talking. He stops smiling. He doesn’t know which direction to look. His wife says to him: look at your kids eyes. He glances down at his daughter in front of him, stares for just a second, and turns away, needs to go sit down.

And a minute later, composed, he gets up, smooths out his hair, paces, and then he comes to the flowers his wife set out, and this man just crumples in the parking lot. His new sight fills him with such love for the world — the same world that he had nonchalantly moved through before, but now rightly perceived — he’s filled with such love that he is overwhelmed and seems to become, at least for a few moments, an entirely different man. His tough exterior is undone as he weeps at the beauty of a gray day in a gray parking lot surrounded by gray homes.

The world hasn’t changed, but his perception of it has been corrected; the spectrums with which he sees have been pulled apart, and he can see the world as it is, and he is changed.

Jesus sends us into the world — not to condemn it, but to lovingly interact with it in order to save it. He sends us to see it with eyes so new and grateful that the color of another’s eyes brings tears to our own, that the brightness of a flower against gray sky brings us to our knees.

(For those interested, here is more information on the glasses, how they work; and the video of the man’s first time with the glasses.)